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Tech house
Tech house is a subgenre of house music that mixes elements of techno with house. The term ''tech house'' developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats," with the harmonies and grooves of progressive house.〔Aaron, Charles (2000), "Whose House? Tech-house and the quest for dance music's post-rave soul, ''Spin,'' October 2000.〕〔Bogdanov, Vladimir (2001), ''All Music Guide to Electronica: The Definitive Guide to Electronic Music,'' Backbeat Books, UK; 4th Revised edition, (page xiv).〕 The music originally had a clean and minimal production style that was associated with techno from Detroit and the UK.〔 In the mid to late 1990s a scene developed in England around club nights such as The Drop run by Mr.C & Plink Plonk, Heart & Soul, and Wiggle run by Terry Francis and Nathan Coles.〔 Other DJs and artists associated with the sound at that time included Charles Webster, Bushwacka!, Dave Angel, Herbert, Funk D'Void, Ian O'Brien, Derrick Carter, and Stacey Pullen.〔〔 By the late 90's London nightclub The End, owned by the former Shamen rapper Richard West (Mr C) and Layo Paskin, was considered the home of tech house in the UK.〔 Tech House tracks are typically between 6-10 minutes in length.
==Characteristics==
As a mixing style, tech-house often brings together deep or minimal techno music, the soulful and jazzy end of house, some minimal techno and microhouse (especially with a soulful feel, such as Luomo’s music), and very often some dub elements. There is some overlap with progressive house, which too can contain deep, soulful, dub, and techno elements; this is especially true since the turn of the millennium, as progressive-house mixes have themselves often become deeper and sometimes more minimal. However, the typical progressive-house mix has more energy than tech-house, which tends to have a more “laid-back” feel. Tech-house fans tend to appreciate subtlety, as well as the “middle ground” that adds a “splash of color to steel techno beats” and eschews the “banging” of house music for intricate rhythms.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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